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The Cipher, with Oasis and The Outsiders

Defector Media <yourpals-donotreply@defector.com>

August 26, 8:00 pm

Hi gang, and thanks for coming to The Cipher!

Today on Defector, we had the Packers WYTS, plus some solid baseball blogging: Chris on a young Padres stud and Barry on the Yankee sluggers. Have fun!

-Lauren
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One Thing We Liked On The Internet Today:
Ray's Thoughts On ... Oasis
Newsletterer's Note: I started this, as seen above.

So apparently the Gallagher lads have seen the commercial possibilities in no longer wanting to kill each other, which is to say that the irritable sparring partners have decided to play shows in 2025 to rekindle the magic (a.k.a., jumpstart the money machine) that was Oasis two decades ago. It'll pay for itself multiple times over even with the slowly dying concert business being what it is.

This of course raised the real debate about the band, which is not "Who could punch out whom and how quickly" but "So how good were they really?"

We will not walk you through a nostalgic tour of their discography, mercifully, because that stroll through your legally compromised adolescence is entirely yours to navigate. If you didn't like Oasis then, you're not likely to like them now. But if you did, wallet up, suckers. This is your youth talking to you, and it's always a better conversation than the one you're having with your doctor about drinking more water and doing less sitting.

You see, music belongs to the generation that grew up with it, which is why when you come across someone slagging the Beatles for not aging well, you are just part of the Don't Get It Brigade. Spotify or no Spotify, the music you grew up with is the music that is yours. If you did Oasis during (What's The Story) Morning Glory, your ears, hearts and Venmo accounts are theirs. And that's as it should be because that's all it was ever meant to be.

Oasis is among the rarest of bands for their time, and their time is the late '90s. It doesn't mean that the music died the night Noel and Liam had their last fistfight, but it does mean that they don't translate easily to either younger or older ears, nor should have to. They weren't the Beatles of the '90 any more than the Beatles were the Sinatras of the '60s. They fit their time and they will surely hold the audience they had, but the debate about their place in music history is as soul-searingly depressing as the LeBron-v.-Jordan debates, which lost their ability to amuse years ago. The Gallaghers hold up well for the audience they already won, but nothing about them and this future tour—not even the potential for driving sharpened mic stands through each other's necks during "Wonderwall" at Wembley—is going to alter their place in the musical timeline of the age.

But we're still on board if they want to punch each other's faces off as the encore.

-Ray Ratto
Defector At The Theater (In Brief): The Outsiders
The recognizable IP musical adaptations are generally not the safest bet for quality, but The Outsiders can wave their big honking 2024 Tony award for Best Musical in the face of those doubters. After catching the show for the first time on Thursday, I can back that award decision. The Outsiders musical is an entertaining spin on a classic story. Anything but a lazy cash grab, it's carried by the energy of its talented young cast, and in a fairly weak year for original musicals, this one stands out.

The centerpiece of this show is, of course, Ponyboy Curtis, played by a soulful Brody Grant with an alt-rock growl. This isn't a knock on any other members of the very strong supporting cast, but Grant's performance is a star-making turn where he can be both heartthrob and rock star. At times, the goofy cliche of the lyrics fail him, especially in an early song where he just summarizes the plot of Great Expectations, but S.E. Hinton's core template is so sturdy that it can withstand a few dings.

The show changes locations and situations often enough to be fresh, and it does so with an inventive, gritty set that's extremely flexible without feeling cheap. (The costumes, too, are an element that pop.) The big climactic rumble is staged in unforgettable fashion—a tour de force of choreographed beauty and chaos, with a wild amount of falling rain. It got a humongous ovation on the night I went, and along with Grant it puts The Outsiders over as a memorable show I'd recommend. I predict a healthy run in New York and big business for the national tour.

-Lauren
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